Holiday "Holding"

Abigail Stain and Eleanor Tingle • 19 July 2019

Keeping clients in our minds during the summer break

Walking into a KS1 classroom this week, I was greeted with an army of Forkys. As a big fan of the new Toy Story 4 character and the movie’s exploration of his existential crisis, I was enthralled to find a family of real-life spork replicas winking at me from the windowsill. In a life-imitating-art moment, nine enthusiastic 6 year olds with social, emotional and mental health difficulties had been sticking, fastening and modelling for over an hour to fashion their very own Forky and transform some carefully curated ‘trash’ into a toy.

What struck me most in the pleasure and delight of the children’s sculptures, was the teaching assistant behind the end-of-term treat. She had listened to the children’s enthusiasm for the film and then gone to extraordinary lengths to source identical sporks (ridiculously tricky to track down) and all the additional materials needed. With heaps of patience and good humour, she had then helped the children to assemble and construct their very own 3D spork.

With all the preparation involved - coming up with the concept and executing it - I marvelled at the way that the teaching assistant would need to have held the children in her mind, not just in the classroom, but beyond.

In music therapy, we often turn to the child psychoanalyst, Donald Winnicott, to inform and frame our work. It was he who coined the phrase “holding” to describe the safe and supportive setting that a therapist creates through their direct engagement with each client. Critical to the work and its success, Winnicott believed that by providing a “holding environment”, feelings of insecurity could be addressed and a sense of trust and security promoted.

At this time of year, those of us working in schools settings move towards the final therapy session before the long summer break. We complete a countdown of sessions to ensure some understanding of ending, and sing songs of reassurance for recommencing therapy in September. We also consider how we “hold” our clients throughout the summer break.

Many educators, speech and language therapists, counsellors and support staff “hold” their students in their minds over the holiday period. There are several reasons to be concerned about this break from routine and therapy. If our clients are among the three million children finding themselves in poverty, they face higher risks of holiday hunger, due to the absence of school meals. Students who have increasingly thrived emotionally, developmentally and socially during the academic year may become stuck in a ‘summer slide’, through lack of skill stimulation, excessive device use, minimal peer-to-peer contact, and reduced exercise. Returning in September, extended support and reintegration back into an education setting can take several months to complete so that the child may recover and reacquire their previously attained skills. Sometimes our clients may feel we have, like others in their lives, abandoned them, and they struggle to believe we will return. Some trust may need to be re-established at the start of the new academic year before the deep work of therapy can recommence.

So how do we create a sense of safety and trust for our clients during periods of absence from the sessions? We may have talked about the imminent ending as early as possible to give children time to process the break and explore any feelings of anger, rejection, frustration or loss. Playing improvised or pre-composed songs such as Warren Zevon's wonderful "Keep me in your heart for a while."can successfully acknowledge high emotions and offer reassurances around endings. The shared and unified approach of singing together can both accommodate the clients own thoughts and the music therapist’s anticipation of seeing the client upon their on their return. We may remind students that despite transitioning to the holidays, the music therapy space, the meeting time, instruments and the therapist themselves will all be there for them again in September.

With all this in mind, breaks can be important and necessary because during these times, the therapist can look after themselves. So that when the mindful holiday “holding” is over and we can return to meeting our clients, we are better restored and equipped to do the best possible job we can.

by Douglas Bott 12 September 2025
John Clemson, MTW Chair of Trustees: onnections through music
by Douglas Bott 12 September 2025
We are thrilled to announce that Doug Bott will join us as our new Chief Executive starting 25th April 2024! Doug is not only a seasoned leader in driving positive social change through music but also the Artistic Director and co-founder of Open Up Music. His innovative work with the National Open Youth Orchestra has opened doors for young disabled musicians, creating new opportunities and showcasing their tremendous talents. Doug will continue his role with Open Up Music, balancing his time and passion between both impactful organisations. He shares his enthusiasm: "I’m honoured to have been appointed Chief Executive of Music Therapy Works. We know that music therapy delivers profound personal and social benefits. My focus will be to secure a bright future for Music Therapy Works, building on the team’s achievements to ensure that these benefits can be experienced, appreciated, and celebrated as widely as possible." Our Chair of the Board of Trustees, Sandra Bristoll, expressed her excitement, saying, "The trustees are really pleased to welcome Doug into the CEO role at Music Therapy Works given his background in charity leadership and his vision for our charity. We look forward to working with Doug to support our team of music therapists so that they can deliver more of the therapy we all feel so passionate about to those who need it."
by Douglas Bott 12 September 2025
Each year Music Therapy Works provides a series of workshops and training events which are an opportunity for professionals and carers to learn how music can be used to support vulnerable individuals. MTW provides workshops either free of charge, or at a financial loss as we believe in the importance of sharing the power of music to support vulnerable people, and in developing skills which can be transferred to others. We will be using the generous donation made by friends and family of Philip to allow us to provide two workshops.
by Douglas Bott 12 September 2025
Jo's daughter, Jemma, says: "The benefit of music to life was something my mum firmly believed in. She encouraged her children and grandchildren to play a musical instrument and took every opportunity herself to sing. Three days before she died, she was strumming away at the Severnside Ukulele Strummers Association - something she found to be a real tonic. She would have been happy that the money given at her funeral would be used to enable others to share in the joy and healing that music bring."
by Douglas Bott 17 September 2024
Rekindling connections through music
by Douglas Bott 29 August 2024
Unlocking emotions through music to help  children thrive
by Abby Stain, Music Therapist 12 July 2019
The top 7 musical instruments in music therapy